Art Spiegelman’s Maus shows how trauma doesn’t end with those who directly experienced it, but they continue to shape the lives of their children and families through generational trauma. As the son of Holocaust survivors, Spiegelman grows up in the shadow of events he didn’t directly witness, but still deeply feels in aspects of his life and his relationship with his father. The generational trauma inherited from his parents, and especially Vladek, shapes Art’s own identity, his relationship with his parents and his sense of guilt and emotional distance. This demonstrates how trauma can be passed down not just through stories but through families' behaviors and dynamics.
Throughout Maus 1 and Maus II, Vladek’s survival strategies, like his frugalness, mistrust of others and how guarded his emotions were, are obviously rooted in his Holocaust experiences. Though these traits (albeit combined with luck) helped him survive Nazi persecution, they strain his relationship with Art in the present. For instance, there are multiple scenes where Vladek is becoming frustrated and upset when another bag of an ingredient is opened when the other bag hasn’t been finished, this obsessive saving of food and money frustrates Art. However, these habits are a direct result of the deprivation and constant fear during the war. For instance, he had to save his tiny “meal” everyday just to be able to trade for other commodities in the camps so it is understandable to always place so much value on resources when you have them. From these actions, Art feels resentment but also guilt and he recognizes his own emotional struggles seem insignificant compared dto what his parents endured. This shows how children of survivors can feel trapped.
Spiegelman explores second generation survivor guilt in Maus II when Art feels uncomfortable profiting from his parents' trauma by turning their experiences into a comic. He feels undeserving of the attention his work received and burdened by the fact that he didn’t suffer as they did. In one scene, he is talking to Francoise in the car and he thinks about how he wishes he experienced Auschwitz. Stanislav explains that intergenerational trauma isn't just passed through stories but also emotional patterns like anxiety and hypervigilance and grief. This is reflected in Art’s depression and need to document his father’s story even if it strains their relationship.
Generational trauma isn’t limited to Holocaust survivors’ families as young people from communities shaped by war, genocide or displacement often inherit fear, mistrust or loss through family narratives. While trauma can’t be fully overcome, Maus shows that acknowledging and confronting it can create more understanding and intergenerational healing.