The Power of Propaganda: Leni Riefenstahl's Triumph of the Will (1935)
Triumph of the Will was not effective as a tool of propaganda because it revitalized German nationalism after World War I.During the First World War, people all over Europe were flooded with propaganda stating their army was the strongest. However, the Germans lost the war; this put a large dent in national pride, and for the Germans, they could not heal the cognitive dissonance between their country being the best yet losing the war. As stated by Leni Riefenstahl, Triumph of the Will used “preliterate symbolic imagery and vague patriotic appeals to address the emotional concerns of the populace.” For Aryian Germans, remind them of the national pride brought about at the start of the Great War and associate the Nazis with that feeling of jubilation. On the other hand, non-Aryan Germans have been frightened by these images, because with this nationalism came a greater need to place blame for WWI on someone other than Aryan Germans. Scapegoating the Jewish people was needed to heal the cognitive dissonance that nationalism brought about. Germans could need a reason they lost the war besides the fact they were outmatched, because if they were outmatched, then their patriotism and nationalism would be foolish.
Leni Riefenstahl holds an immense amount of responsibility for what the Nazis did because she was one of the most important figures in getting their message out. She did not only complete the job she was commissioned to do; she went above and beyond, creating the most revolutionary and influential films of all time for the expressed purpose of creating nationalism and spreading fascism. Riefenstahl was clearly a very smart woman; therefore, she could not have been ignorant of Hilters views of minority groups, especially Jewish people. At that point in his rule, it was public knowledge that Hiliter was running on a platform of fascism, nationalism, and anti-Semitism. Yet she not only made the film but also created the most effective piece of propaganda of all time. Despite her claims, there is no way that she did not internalize Hilters beliefs at the time because she followed him around and took video of these rallies for six months. She had more access to Hilter than almost anyone, and there is no way she did not see what was coming.
Riefenstahl should always be remembered in concert with her work for the Nazi party, since it was impossible to be “apolitical” as a vehicle for propaganda. In the 1930s, people were either complacent or enemies of Hilter, and since Leni Riefenstachl was not an enemy of Hilter, she was at the very least complacent in her actions. Beyond just allowing Hilter’s action, the movie Triumph of the Will actively furthered Hilter’s influence in Germany. It is completely naive of Riefenstahl to expect people to believe that she had nothing to do with Hiliter’s actions, since she was the main reason he had support. Many people in Germany said that they were not supportive of Hiliter until they saw Triumph of the Will. Therefore, Riefenstahl is directly responsible for Hiliter's control, power, and actions.